As the rain fell
down on Uncasville, Connecticut, the band Rush was getting ready to tear things
up in Mohegan Sun’s Arena. Rush are currently continuing their Clockwork AngelsTour and while some may even question where Rush has been, as evidenced
tonight, there are plenty of people who follow the bands movement closely. Moreover
the band is still in the sweet spot of being great performers and talented
showman where they have lingered for years.
The Canadian trio of
Geddy Lee, Alex Lifeson and Neil Peart have been kicking around since 1974 in
their current incarnation, the band taking its name all the way back to the
late 1960’s. One thing that’s clear though is that their synergy has never been
stronger.
I am a casual Rush fan
(I can’t pick up the title and lyrical content of each song in seconds as the
vast majority of my fellow concert goers could) but I have been since I first
heard them in the late 1980’s. One of the first cassette tapes I ever had was
Rush’s 1981 masterpiece “Moving Pictures.” Like Michael Jackson, U2, and Rush. Those
were my first three cassette tapes ever. I was an aspiring drummer and I was mesmerized
by Peart’s impressive chops. Chops he still has today.
The Arena was pretty
well packed, something I was a tad surprised about for a Thursday night in May.
Still I shouldn’t have been taken aback as Rush fans rank high on the list of
caravan devotees, somewhere between the callous disregard I noted recently atan Eddie Vedder show for the Pearl Jam lead singer and maybe a band like Phish
or the big daddy, The Grateful Dead.
Everyone inside the near capacity arena
was on their feet mouthing the words bopping along such that the aluminum
risers that our seats were on were waving in time with the flavor of the music.
The girl to my right
was maybe 15 or so and was here with her dad; they both loved every minute of
this show. Suddenly it occurred to me that dad was probably listening to Rush
when he was her age or younger. They both shared the enthusiasm for the songs,
mimicked the huge synth notes, guitar lines, and drum solos and sang out their favorite
lines together.
Geddy Lee was
gracious enough welcoming the audience but all three of them just seemed intent
on playing. Lee at one point promised we gluttons for punishment that the band
had “about six million songs to play,” to which the enthusiastic crowd roared. So
the band got back up and began playing again.
A familiar AOR radio
song like “Limelight” evoked a kind of swell from the audience that would be
repeated a bunch more times throughout the evening.
Whenever Peart would
hit one of his thundering cymbal crashes or Lifeson would articulate one of his
signature riffs dozens of ARMS would flail wildly in the packed audience as
though they were the ones controlling the sound. It was quite a sight to
behold.
The band took the
set in halves. Right before the end of the first half Lee began riffing some kind
of an extended slap bass guitar solo followed by a musical ensemble number.
Towards the end of the number though Lee and Lifeson ducked offstage and Peart took
his turn playing a commanding and enchanted solo.
Rush even went so
far as to set off explosions. What started out as some red flares, just before
their intermission, wound up as one frighteningly big explosion.
This tour will
continue now through August in the United States and Canada and may extend even
beyond that. If you are looking for impressive musicianship, enthusiastic
crowds, and a community who loves playing and hearing music then get out to the
2013 Clockwork Angels Tour!
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